Do You Want to Be On the Cover?
Do You Want to Be On the Cover?
by Jim Giorgi
A few days ago I was experimenting on CreateSpace (Self-Publishing service), putting together the cover of my forthcoming book Between Yesterday and Tomorrow. Not completely satisfied with the stock artwork on their cover creator program, I started looking through my collection of photos through the years to see if I had one that would fit the bill. When I mentioned my quest to Sveta, she said that she had an online friend (Max) who lives in Russia who is an amateur photographer and has a site with many photos that might be appropriate. She went to the site and found several promising candidates, and showed them to me. I chose a beautiful shot of a lake with a mountainous background, a setting sun and a circle of ripples in the foreground of the lake. Sveta asked Max if he would consent to my using his photo as my book cover and he gladly consented. Here’s the photo.
Excited, I sent the photo to my dear friend Bob, who has been following the process and progress of the book, reading and commenting on it chapter by chapter as it unfolded. I asked him what he thought of the photo as the cover of the book. He replied later that day as follows:
Hi, Jim,
Hmm…. To the point, wouldn’t be my first pick. While I can see how it conveys nature’s power, beauty and complexity, and I like the ripple idea a lot. When I saw the orange and “blue bird of happiness” blue of blues right above it at the bottom, I was disappointed that the rest of the photo dropped that dynamic. It looks overexposed, even unfocused to me, washed out. The contrast between the mountain, the almost blue sky, the heavy rain filled cloud, and the sun (no yellow at all) all blend together. If I was standing there (which by the perspective, anyone looking at it would feel drawn to imagine), I know I’d have to squint, shield my eyes, perhaps even turn away, not from the beauty, of course, but because it would be painful to stare at. So it doesn’t strike me as “inviting.”
Is something you need to get immediately? What kind of concept are you looking for?
So I replied to Bob:
No, not immediately at all, just experimenting with the cover creator on CreateSpace. I'm always open to suggestions, just don't want to use one of the "stock" photos they have on there.
Thanks, Jim
Bob replied to me:
Here’s an idea. And you’re not obligated to use them, of course. Why don’t I scan and send you the two best photos my Dad took in Rocky Mountain National Park and at [Lake] Tahoe back in 1970? I’m not optimistic you’d use them, but if you’re looking for something you won’t need to pay royalties on (just an attribution [to him] would be nice) and if they provide a good enough start, you can enhance them as you need with Photoshop (or whatever). Let me know if you want to see them; I’ll scan them in the highest bitrate I can.
No obligation, natch.
I replied:
I would love to see them. And I would be honored to have your dad as a part of this project if they are what I'm looking for. I'm sure that had he still been with us, he'd have been cheering me on all the way. Also, I'd like a little input from you...you know what BYAT is about. What one "image" on a book cover would convey what BYAT is about to you? To the rest of the world out there? What are YOUR thoughts?
Bob replied:
Jim,
Okay, I’ll take my Dad’s 2 photos off the wall and scan them tomorrow for you. No issues about using them, of course, and regardless, it will be nice to have them digitized.
Furthermore, as you’re about to read, you’ll see that while taking a cue from your own beautiful (albeit not to my taste) photo as to the genre you were looking for, my mind made a connection to my Dad’s photos. The possibility of a synergy with having him being a part of it tickled me, too, I’ll admit. But again, as mentioned in earlier emails, I’m not an Ellsworth Monkton Toohey—you, as our metaphorical Howard Roark, have no duty to bolt on things that do not fit your purpose. We agree on that. And I’m not here to trade on emotions, no matter how much we both loved my Dad. It either works or it doesn’t. He wouldn’t want it any other way.
So….
I thought about this for a few hours, not continuously but in and out, so to speak, while I did homework and job work today, pretty much since I saw your message around 6 tonight. Since you hadn’t expressed a firm intention as to the nature of the cover photo you wanted, I thought about the many other spiritual books I’ve read or seen on bookshelves and what they typically had. Then I chewed on what I believe is the theme of your book (as I get it). I tried picturing how that theme might be displayed in art.
For some reason, the YouTube video you shared with me of Eric Whitacre’s virtual choir popped into my head and then, soon after that, I remembered this quote by Abraham Maslow:
“The great lesson from the true mystics, from the Zen monks, and now also from the Humanistic and Transpersonal psychologists, is that the sacred is in the ordinary, that it is to be found in one's daily life...in one's own backyard.”
So I rocked back in my chair. Is this not the theme of your book? That actualization/awakening and the paths to their realization are achievable in everyday life, and by anyone?
I think so. (And I beg your forgiveness if I’ve gotten it totally wrong.)
So my idea (as of this moment before I hit the sack) for the cover is one portraying many smaller photos of people doing everyday ordinary (and perhaps a few extraordinary) tasks, arranged as a mosaic. It doesn’t have to be a hundred, although that surely has its appeal. Perhaps with equal squares, or perhaps unequal, perhaps each little photo would be different shapes, it’s just an idea. I don’t know if this is doable or even if it appeals to you. Perhaps (and if I’ve gotten the theme right) you can think of another visual way to convey it. So, without getting bogged down in my particular concrete view, my advice for the cover would be something that conveys its applicability to everyday folks. Not a mist over a remote lake, or a beautiful sunrise, or some symbolic nirvana concretized by snowcapped mountains (one of my Dad’s photos) but, rather, a cover that says unequivocally to anyone who picks it off the shelf or sees it on Amazon: “THIS IS FOR YOU.”
Whether or not you’re turned on by my idea, a graphic artist might help. It’s what they do for a living, translating ideas into images.
Thanks for asking, Jimbo.
Love,
Bob
My response to Bob’s suggestion:
Bob, this is pure inspired genius. Awesome. You've nailed it. Spot on!
“The sacred is in the ordinary, that it is to be found in one's daily life...in one's own backyard.” -Maslow
"Transforming ordinary life into an extraordinary adventure." - Giorgi
Love,
Jimbo
Bob’s reply:
WHEW!! LOL
It would have been so embarrassing after 44 years if I hadn’t understood it.
Long live our friendship! TTYL
My final comments:
I’ve decided that the “collage/mosaic” cover would be perfect. I’d like to include photos of as many of my family and friends who are interested in being on the cover as possible. So, how would YOU like to be on the cover of Between Yesterday and Tomorrow? I’d be honored to place your picture there. If you would, please send me a photo of you (or if you want you with someone else) doing some ordinary task that you do on a regular basis that gives you joy doing it. I can’t promise that I’ll be able to fit all of the photos I receive on the cover and still make them recognizable, but I will do my best depending on how many I receive. I also would need a release from you giving me permission to use the photo publicly. I also need to ask help from someone who is really good with Photoshop or a similar program to put it all together in book cover form. Anyone out there up to the task?
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2011




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